Chef gives ‘off the cuff’ lecture on his love for Italian cooking – Event at 92Y Tribeca

BY BETH KAISERMAN

Rons Suhanosky's Spread

Chef Ron Suhanosky eats pasta with tomato sauce almost every day.

Suhanosky, who opened Sfoglia on the Upper East Side and in Nantucket with his wife, released his second cookbook, The Italian Table, this past fall.

In a lecture Thursday at 92Y Tribeca, he discussed his love for Italian food and gave some cooking advice.

After working for years in New York City restaurants, including River Cafe and Il Buco, Suhanosky wanted to return to his passion for down-home Italian food. Inspired by his travels in Italy, he realized it was time to be “more off the cuff,” he said.

Last month he opened Nonna’s Table, 163 E. 92nd St. which offers specialty foods, cooking classes and private dinners. His mother provides the pastries.

Rather than working tirelessly over restaurant recipes, Suhanosky now wakes up in the morning and decides what he feels like cooking for his customers. What he likes, customers will like, he said. It’s all about using the ingredients properly.

“The simpler food is, the more Italian it is, in my mind,” he said.

But one of his favorite melt-in-your mouth delights isn’t from Italy — it’s from Mars.

A bowl of perfectly cooked al dente pasta, fresh tomato sauce, and a bag of peanut M&M’s are the keys to this chef’s heart.

For information on booking a cooking class or private dinner, call 212-831-9200.

Embracing Evolution and Ever True to His Passion – Upclose with Pino Luongo on His Latest Venture: Morso

BY ELENA MANCINI

Pino Luongo

Often referred to  as the Dark Prince of Italian fine dining in the restaurant world, Pino Luongo pioneered authentic Tuscan flavors in the US with smash hit restaurants including Il Cantinori, Le Madri, Coco Pazzo, Il Toscanaccio and Centolire, to just name a few. He’s been widely recognized for setting the standards for the modern Italian restaurant scene in New York and across the U.S. And he’s witnessed more than his fair-share of knocks from the forces of the real estate economy. His maverick style, uncompromising standards and outspoken manner have garnered both accolades and virulent animosity from the critics and his peers. He’s influenced, inspired and spurned many an emerging chef, most famous among them: Anthony Bourdain. He’s also disparaged and alienated a few of them as well.

I had the pleasure of interviewing Luongo in person on the occasion of the launch of his latest culinary venture, Morso, a restaurant located on the southern perimeter of the Queensboro Bridge championing Italian regional flavors with a Mediterranean twist. Its Executive Chef is Tim Ryan, whose previous stints include serving as the President of Culinary Institute of America and chefing at Four Seasons, Bouley and Picholine.

Luongo is an eloquent and engaging conversationalist. His speech is richly accented with the cadence and sonority of his native tongue, and peppered with New York colloquialisms. His responses are generous, on-point and appropriately emphatic. Luongo’s words are firmly in-synch with his gestures and facial expressions and betray his previous career as an actor in Italy, a decade or so before establishing himself as a renowned restaurateur in the U.S. Such biographical details can be had about Luongo  from his compulsively readable memoir, Dirty Dishes. The book reflects the tour-de-force impact that Luongo has had on Italian restaurants in the US in a gripping conversational style that alternates between Luongo’s narration and that of its writer, Andrew Friedman.

Asked about his inspiration for Morso (morsel, or bite in Italian), Luongo explains that he’s always been “a lover of Mediterranean cuisine and ingredient-driven cuisines.” He had developed the concept from the desire to offer an ambitious menu structured by groups of ingredients or products that would allow for smaller portions to feature a greater variety of flavors.

Morso’s menu in fact is divided into categories such as: Vegetables, Legumes and Grains, Eggs and Cheese, Duck, Rabbit and Chicken, Beef and Veal, and Fish and Seafood. Items come in two portion sizes and corresponding pricing: “morso” (3/4 of a full size) and “tutto” (full size). Prices are reasonable with morso-sized items firmly beneath the $20 range and the majority of the tutto portions less than $30.

Asked about his choice to partner with Chef Ryan, Luongo states that it was the result of a half-year search. He cites Ryans’ sensitivity toward Mediterranean cuisine, his maturity and lack of an ego as his main rationale for selecting him. For a review of the dishes sampled, see below.

I asked Luongo to talk to me about the Italian restaurant landscape when he first arrived in New York in 1980 and about his greatest challenges in executing his culinary vision and philosophy here. Luongo describes the Italian scene as mostly populated by restaurants that predominately  featured staple items of Italian-American cuisine such as scungilli, and meats prepared scarpariello- and scallopine-style. These were items that were alien to the Tuscan-born Luongo. The stark absence of the foods with which he was brought up in New York restaurants, awakened him to his mission as a restaurateur: to champion the regional-local ingredients that constitute the backbone of Italian cuisine. His vision was “to take away the idea of the Italian restaurant with “the flask with the candle.”

Luongo explains that at the time that he arrived to New York, Italian food had no reputation for being a restaurant cuisine. Italian cuisine was identified with the food served on 1960s Italian cruise ships. French food enjoyed undisputed primacy as the cuisine of restaurants. In contrast, the essence of Italian cuisine lies with regional, local ingredients. Therein lay the major challenge for Luongo in the 1980s when he came to the restaurant scene with Il Cantinori. Ingredients that are now considered standard fixtures in Italian menus were extremely difficult to attain. Luongo recounts that items that are readily taken for granted today such as branzino, sardines, red chicory Trevigiano and Arborio rice and that were essential to the flavors and dining experience  that he was pioneering here were rare to come by and required a great deal of red tape to procure from Italy. It was more the rule and not the exception, and he recalls that crates of porcini mushrooms would get stuck at customs if they were labeled “porcini.” Whereas if they were labeled “bolletus,” they would often get through. Luongo rightfully reminds us that cooking with extra-virgin olive oil was far from common practice in those days. Today, the challenge of trying to incorporate some of his favorite ingredients from his homeland, such as sweet breads, ribollite, rabbit and chicken liver into his menu persists because palates are not accustomed to these flavors and textures, and the whole Walt Disney factor that perpetuates the resistance to rabbit. Italian and American palates don’t compare. The food of one’s childhood has a profound influence on the flavors which one will pursue. It makes a big difference whether you grow up with burgers or soups.

Ultimately, Luongo states, Italian cuisine is “a cuisine of ingredients, seasonality and straightforwardness. From there one can begin to fantasize and elaborate on it and make it more rich and generous.” As for his own approach to food, he pursues taste and bold flavors. The art of professional cooking in his view requires “discipline, knowledge, passion, technique of cooking and the ability to evolve over time and expand.” Often times, Italian food can be bland. The challenge is to maximize the flavor from each ingredient. The key lies in how ingredients are treated. Knowing how to treat an artichoke, for instance, is essential.

Luongo also recalls the predominant style in more refined and upscale Italian restaurants during his early years in the States. Wait staffs were clad like penguins, he recounts. Restaurants were extremely classic and stuffy. In contrast, Luongo’s ideal is informal, but not too casual, in essence the style of the modern Italian trattoria. Luongo also stresses the importance of the training and presentation of wait staffs. He is adamant about their training and the knowledge of the menu. Ultimately, “they are your ambassadors, and the ones that represent your food.” Luongo is also infamous for his rigorous attention toward hospitality details and low-tolerance approach toward service staffs. Far from a stranger to the service aspect of restaurant business, Luongo’s first job in hospitality was as a bus boy at his uncle’s restaurant on the Tuscan seaside and later as a bus boy at Da Silvano in Greenwich Village. His memoir suggests that his sensibilities for creating a seamless dining experience for patrons were acquired during these experiences coupled with his highly attuned theatrical eye.

During our chat, I turn to the question of his relationship to the critics and whether his penchant for speaking his mind has cut both ways for him. “Absolutely,” he asserts. It’s often served to his detriment. When asked whether he wishes he could retract anything he’s said, “no,” he asserts. “I am who I am.” A critic he genuinely admires is Bryan Miller. While acknowledging that Miller was more oriented toward French cuisine, and has not always reviewed Luongo’s restaurants favorably, Luongo admires his professionalism. Too often, Luongo maintains, the critics focus on things that are irrelevant to the experience of dining, such as the personality of the chef or the bathroom decor, as occurred with a review that he once received.

Admittedly, Luongo offers, the job of the critic is a difficult one. He or she must eat all of the time, often causing the palate to become tired and confused. Additionally, the fact that critics are often readily recognized leads to their being offered special privileges and treatment not awarded to the average diner, generating an unbiased review.

Asked about the future of Italian cuisine in New York and whether there’s still room for growth:
“Yes, of course, because it’s beloved, despite other cuisines on the horizon. Italian cuisine will continue to play a major role in America.”

Accomplishments that he’s most proud of:
In terms of restaurants, it would have to be “Le Madri.” The restaurant was an intersection of a concept that he tried to realize in America with Italian food. To foreground Italian regionality and home-cooked foods.

In terms of books (Luongo has authored five cook books.):
He is proudest of  his first book, A Tuscan in the Kitchen. The book put forward his idea that learning how to cook is best accomplished by experimenting while implementing common sense. Cooking requires the development of a palate and taste for preparing food. This is the book that reminds him who he is and where he comes from. “It’s what I’m about,” he says.

Insight that Luongo would offer to newbie restauranteurs to New York:
“You better know what you’re doing before you put your food out there.  The New York consumer is very evolved and has a sophisticated palate.”

What Luongo enjoys doing when he is not in his restaurants:
He enjoys spending time with his family in Westchester, and playing soccer with his youngest son.

When eating out:
Luongo enjoys going to any type of restaurant other than Italian, with the exception of pizzerias. He is a big fan of Moroccan and Indian foods.

If given the opportunity to face off with a chef in a throwdown, he would choose…
If we are talking about Italian food, anyone.” Seconds later his eyes sparkle with mischief, and he says, “well, actually…,” and opts for self-restraint instead, “Let me not go there.”

MORSO
420 E. 59th St.
Midtown East
212.759.2706 / morso-nyc.com/
Full bar, sidewalk cafe and extensive wine list on premises.

Following is a selection of the dishes that I’ve had at Morso over the course of several visits.

Raw artichoke salad

Raw artichoke salad is an excellent start. The combination of artichokes, celery, shredded pear and frisee lettuce offer a harmonious medley of texture and subtle bitter flavors tempered with the sweetness of pear rendered bright by a simple lemon dressing. The recommended Roero Arneis 2010 was an excellent pairing for this course, and one that I’ve gone back to order at other visits.


The Uova dish is a hearty, original and beautifully composed dish and an ideal brunch item. Consisting of a poached egg, merguez sausage and chick pea fries with fontina cheese sauce it is complex and tasty. The merguez sausage was perfectly grilled, but what really stood out for me were the chick pea fries. They were dense, enjoyably crisp and appropriately salted.

The farro salad is a rewarding and aromatic dish with a multiplicity of textures and Mediterranean flavors that include eggplant, dried apricots, toasted almonds and portobello mushrooms.

Not that a carb-free diet is something I would ever remotely entertain, but if extreme circumstances ever forced me to renounce to my weekly pasta intake, I would indubitably forgo the ban for pasta prepared in Luongo’s restaurants. Luongo is a pasta lover par excellence. He has poeticized pasta in the written word–dedicating an entire chapter on his passion for it in his memoir– in multiple places and at the table. And all of his pasta dishes are sheer perfection. Boldly aldente, with sauces that efficiently flavor and coat the pasta without overwhelming it.

Bucatini Cacio e Pepe

The bucatini al cacio e pepe are marvelous. Coated in a glistening pecorino cheese and black pepper mixture, they deliver toothsome forkfuls of satisfaction.

Fettucine alla Bolognese

The Fettucine alla Bolognese are outstanding and represent the consummate winter dish for me. The traditional tomato-based ragu was perfectly balanced in acidity and had a beautiful rich flavor of braised beef and herbs and spices. The fettucine were reliably aldente. In short, sheer, loving perfection.

If there’s anything that I find lamentable about Morso’s pasta dishes is that there are so few (only three) of them on its menu.

On to the main courses:

Sardines

The sardines are a wonderful reprisal of the Mediterranean theme. Served with fennel, artichokes and sun-dried tomato pesto and a generous bed of orzo, it’s a healthy powerhouse of flavor for those who enjoy the oiler, Omega-rich fish varieties.

Maiale

The roasted pork chop with butternut squash gratin is a great seasonal choice. Spatzle, winter greens and an apple-sage sauce make a seasonable pairing to the tender cut of pork.

The braised duck breast is a winning dish. Triumphantly succulent and ingeniously paired with hybrid rice, roasted pears, dried cranberries and sweet and sour pomegranates it’s a rich and inspired dish with flavors that fragrantly linger on the palate after consumed.

 

Neapolitan Cheesecake

A slice of creamy Neapolitan cheesecake was a tasty and fittingly indulgent ending to one of my meals. Desserts offerings vary daily.

Each meal was perfectly paced by a courteous and well-versed wait staff, and unfolded in an airy and elegant dining room accentuated by mood lighting and a blithe décor inspired by 1960s Italian poster art.

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A Sliver of Naples – Review of Forcella’s Pizza di Napoli

BY DARA POLLAK

Forcella
485 Lorimer St
Williamsburg, Brooklyn
718-388-8820 / http://forcellaeatery.com/

Manhattan Location: 334 Bowery, Nolita – NYC

Forcella Interior

After my visit to Italy some years ago, I fell in love with Neopolitan-style pizza: thin crust, slightly blackened on the bottom from the hot brick oven, and topped with fresh ingredients like mozzarella, pesto, tomatoes, basil, truffles…I could go on. So when I heard about Neapolitan pizza spot Forcella making a debut in Williamsburg, I had to drop in for a bite…or two…

The space is small and cozy, the waitstaff all have Italian accents, and you can watch the pizzas being flipped around in the big open kitchen. It reminded me of a place I would actually go to in Italy – and just as I was thinking that, a group of Italian men sat down next to us and were discussing the menu boisterously with the waiter in Italian. Our questions for the waiter were a little less loud and in English, but we found out that each pie is about 9-10 inches, and the crust is incredibly thin, so you can easily order one per person (which is what we did and finished every last bite).

Pizza Margherita @Forcella

The first pie we tried was the traditional Margherita (homemade mozzarella, tomato sauce, basil, $11) and the crust is so thin that the weight of half an olive would make it flop mercilessly in surrender. This is not to say that it doesn’t taste good, but I think the crust should have a little more resilience. Though for such a thin crust, the edges are surprisingly puffy and doughy, which is a fantastic contradiction and in my opinion, pretty tasty.

Pizza Montanara @Forcella

The Montanara pie is one of their specialties, and for $10 it might just be the best bet; deep-fried pizza dough is topped with tomato sauce, cheese, and basil. This pie doesn’t look all that different from the others, but upon your first bite, you can taste the difference. The dough has a slightly crunchier exterior, similar to that of a zeppole, and is a little bit greasier on the lips. It’s really good and it’s not as out-there as it sounds – we were envisioning an entire pie covered in batter and deep fried a la Chip Shop. Guess they don’t do that in Naples?

 

Pizza San Gregorio @Forcella

Our last pie was the San Gregorio, one of their white pizzas (or pizze bianche, $15), which was mozzarella, pesto, truffle, and tomato. I love pizza with truffles or truffle oil, so I was mildly disappointed with this one. The truffle was barely noticeable, and if you have had truffles before, you know them when you smell them or taste them. The pizza was also divided into two sides, which I thought was strange, one side had the pesto, the other had the tomatoes. Where was the truffle though? I only got a light hint of it on the tomato side – if you’re going to charge $15 for a pie, make sure there are truffles on it. The pesto side was better anyway, even with the absence of truffles – the balance of flavors was perfectly salty and nutty.

Pizza alla Nutella @Forcella

I am rarely able to turn down dessert, especially when that dessert involves Nutella, the ooey, gooey, chocolatey hazelnut spread. Naturally, they have a Nutella pie for dessert (Angioletti  Alla Nutella, $6), which is actually two deep fried pies sandwiched together with Nutella in the middle and powdered sugar on top, making it like a crunchy, doughy crepe. I have nothing technically “bad” to say about this one, mainly because you could put Nutella on cardboard and it would taste good, but the execution was kind of lazy. Maybe some will think they get points for simplicity, but it needed something else. Would I eat Forcella’s Nutella pie again? Sure. Would I be super excited about it? Probably not because it was boring.

If you’re in the mood for a lighter, thin crust pizza with really fresh ingredients, Forcella won’t let you down. If greasy, sloppy, New York style pizza is more your speed, I would take the train back to Manhattan and get to a Ray’s, asap.

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A Diamond in the Bronx – Review of Beccofino

By LISA M. NGUYEN

Beccofino
5704 Mosholu Ave
Bronx

Fettucine alla Bolognese at Beccofino - Photo by Lisa M. Nguyen

Fettucine alla Bolognese at Beccofino - Photo by Lisa M. Nguyen

Beccofino displays as a rustic place with brick walls and checkered tablecloths, and even Christmas lights that hang from corner to corner.  Seating is about no more than 40 and is intimate enough that everyone seems to see which one of their neighbors are going to step in.  With friendly waitstaff where they feel horrible for telling you to come back, they manage to make room for my party of 4 on a busy night.

With a small space and a small menu, this Zagat rated restaurant puts out some large taste.  Their goat cheese, arugula, and pear salad is a unique and fresh way to start an appetizer. They use warm, caramelized walnuts and dried cranberries, where this salad hits all of your taste buds. Beccofino also offers a wide selection of wines for a small restaurant.  Even some bottled beers from local breweries in New York are added to their menu.  Their drinks are affordable with beers ranging from $6 and up.  You can order the wines by the glass or you can buy you and your date a bottle as well.

Forget about store bought dry pasta, and prepare to enjoy some fresh hand cut fettucine.  The fettucine bolognese is a hearty sauce with some fresh pasta, taking only a few minutes to boil, coming out hot and something most people haven’t tasted yet. Beccofino brings out not your typical chicken parmigiana, but some amazing meals like mussels and tender calamari.  And if you’re not into seafood, they have a variety of meats including veal and hanger steak, and of course chicken. And dare to try their desserts.  Beccofino creates a hazelnut biscotto ice cream, large enough to share, but so delicious that everyone will want their own.  They also serve up a very classic tiramisu, no gimmicks about it, made perfectly with fresh mascarpone cheese, espresso, and lady fingers.

The prices are affordable, the pastas are no more than $20, their sandwiches are about $12, and share a dessert because it’s plenty for less than $8.

There’s always a parking spot right outside on Mosholu Ave.  And if you end up taking the subway, you can catch the 1 train right to the end, and it’s also within walking distance.

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Where chic crowds flock for seasonal, hearty and inspired cuisine- Review of dell’ anima

BY BECKA WOOLF

dell’anima restaurant
38 8th Avenue
West Village
dellanima.com/ 212.366.6633

Walk into dell’anima on a Monday night and you will swear it’s a weekend, or at least a celebration. And what a celebration it is. Chic crowds  at the bar drinking shimmering reds, hungry hopefuls waiting for tables outside with fingers crossed, a group of vibrant women at a banquette near the open kitchen having ladies’ night out.

Photo courtesy of dell’anima

Dell’anima, which means “of the soul” in Italian, is exactly that – Italian food for the soul. Opened in 2007 by Gabriel Thompson, who has worked with culinary heavy-hitters such as Mario Batali, Eric Ripert and Joe Bastianich, and Joe Campanale, former Babbo sommelier, this West Village foodie hangout has an intimate, yet lively feel, and features traditional, updated Italian classics, and a selection of over 150 wines.

Start with the bruschette, one of each (they offer 5 different spreads, ranging from creamy ricotta and honey to rapini pesto, perfectly flecked with walnuts and pecorino), served with warm, crusty bread. The salads are memorable as well, especially the endive, dressed with a simple anchovy citrus vinaigrette, and the charred octopus with rice beans and chorizo.

Let’s talk about the pastas. The beautiful, homemade daily, melt-in-your-mouth pastas.  Dell’anima makes an exquisite Bolognese, with ribbons of tagliatelle pasta and fresh Parmigiano Reggiano, and arguably the best Carbonara I have had anywhere, with deliciously salty speck and a sunny orb of egg yolk in the center, dying to be broken. Stick to your ribs good. The menu also features well executed proteins such as orata, hanger steak and pollo al diavolo. And of course, don’t forget to order the Anston mills polenta and their sweet take on brussels sprouts with pumpkin seeds and cherries.

Photo courtesy of dell’anima

Most entrees fall within the $15-$25 range, but for those looking to save, the “Meatness Monday” prix fixe menu is a fantastic deal – 3 courses for $40. Not too bad if you ask me!

Don’t come here expecting heaping bowls of pasta and enormous, gluttonous portions, that’s not the point. The food is seasonal, traditional, hearty and inspired. You will leave dell’anima with that “I just went to an amazing restaurant” feeling, already planning your next visit. Maybe next time you be lucky enough to be among the chosen 6 who get to dine at the open kitchen’s counter, watching the magic happen. And yes, I used the “M” word.

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A Trip to Milan on 45th Street – Review of Gente Ristorante Italiano

BY CLAIRE McCURDY

153 E 45th St. (Between Lex and 3rd Avenues)
Tel. 212-557-5555 / genteny.com/
Midtown East

Monday – Friday 11:30AM – 10PM
Saturday 4PM – 10

Gente, a charming northern Italian restaurant,  is ideally located (E. 45th St.) to catch the voluminous commuter traffic eddying through Grand Central.  But even if it were located in the middle of the Mojave Desert it would be irresistibly drawing the customers in..  And for some of us, who did grow up in the Mojave Desert, culinarily speaking, Gente  would certainly have drawn us in — to sample its wonderful Northern Italian cooking.  Rich, subtle, intense, pungent!  The food would have been a revelation.

For me, growing up in 60’s in the northeast US , far from a major metropolitan area, Italian food in the malls was spaghetti and meatballs soaked in red sauce—or  gravy as they call it in Philadelphia.  Think canned Chef Boyardee.  Not a gourmet experience.

This pasta and indeed, all of the food served at Gente, is as far from the meatballs and gravy as it could possibly get.  It is truly a feast for the senses- brilliantly colored, scented, and of course, a taste sensation.  If I ever again pass the Chef’s  cans in the supermarket aisles, en route to the arugula,  I will swiftly rush past.

Dining Room at Gente

Gente’s  modest exterior belies a very spacious and comfortable interior with a twist—dozens of blown up black and white stills of 60’s starlets, many Italian, which makes it all dramatic and also offsets the warm wooden flooring and tables.  Recently renovated, it is very comfortable and relaxing.  Owner/restauranteur Jay Mitchell, Manager Etnik Gashi and his staff are charming, courteous, ready to educate you about the menu, and determined to get the plates swiftly to your table. 

And it’s a happy crowd inside. When you enter, even as early as 7:00 p.m.,  there is a contented  buzz among the diners, and they tend to linger long past the end of the meal – always a good sign.

I came to Gente with no preconceptions.  My own experience with Italian food has tended to be with the southern red sauce – or with the quixotic food of Venice- and while much of it has been delicious, I knew that this would be quite different.  And it was. What an amazing meal!  Rich with homemade pasta,  and luxurious risotto, , pungent, crisp lightly dressed vegetables,  each plate offered a new taste experience.

 

Salumi platter at Gente

The first dish that came to my table was the salumi platter .  It resembled a garden . A sampler of starters featuring a mini pizza, a mini caprese salad, a hearty bruschetta, white beans, and an incredible bundle  of arugula wilted with oil, lemon, and garlic wrapped in fresh prosciutto.   This last was a meal in itself and a great introduction  to all the courses.

 

Black and white tagliolini with shrimp at Gente

The second plate was tagliolini –a light, but sumptuous homemade pasta – with gigantic wheels of shrimp.  The pasta was black and white, very colorful but entirely natural.  The black pasta partially colored and flavored with squid ink -  brilliant set against the giant pink shrimp, as well as delicious. Left to myself I would have shied away from the squid ink and thus deprived myself of a fine treat.

Risotto with spinach and shrimp at Gente

The third plate was a risotto with spinach and shrimp—here is an alternative version with mushrooms, equally delicious.  As this was my first risotto, and I knew nothing of its composition except that it was of rice and took a long time to cook, I was really delighted to taste a slight crunchiness offsetting the creamy rich sauce. And of course, the wilted spinach and robust shrimp.  Not rice pudding!  And not spaghetti. But a wholly satisfying savory meal to itself.

The meal was served with sparkling Prosecco and ended with homemade biscotti and a luscious liqueur flavored with biscotti, and topped off with cappuccino.  As there were several thunderstorms, I was more than happy to linger, savor the tastes, take in the  crowd and relax.

Given the prime location, Gente’s prix fixe dinner is a pretty reasonable $35, with an additional $7 for a glass of wine. It is a good bargain. If you choose to go ala carte for dinner, the antipasti and salads range from 9$ to $16. Pizza, $18; risotto, $23, pasta ranges from $18 to $24. Secondi (a combination of meat and vegetable ) ranges from $20 to $30; sweets, $9; and aperitifs, $8-10.

My compliments go to this chef and his magic.  And I will certainly be back!

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Artistry meets focused evolution – Upclose with Chef Matteo Boglione and White & Church

BY ELENA MANCINI

On Chef Matteo Boglione and White & Church
White & Church

Contemporary Italian cuisine
281 Church St. (White St.)
Tribeca
212-226-1607 / whiteandchurch.com

Open Monday – Sunday
Happy Hour: half-off cocktails, Monday- Friday, 5-7pm
Tasting Menu: Ten courses for $50
Menu items a’ la carte: range from $8-$18

 

Chef Matteo Boglione

Less than two months after the closing of Il Matto, a restaurant that garnered a highly coveted two-star rating from the New York Times’ Sam Sifton, Matteo Boglione and his team are back with White and Church. Leaner, wiser and with a more pronounced New York-centric focus, White & Church is poised to deliver more comfortable surroundings, an accessible scaled down menu compared to its predecessor  without dumbing-down or sacrificing experimental creativity.

Boglione became aware of his interest in preparing  food when he was eight. The Florentine native attributes the discovery of his culinary passion to the Saturday afternoons he spent baking brownies and chocolate chip cookies with his American mother in Florence. “Watching something raw enter the oven and turn into something else fascinated me.” At fourteen, after completing middle school and an age in which Italian teenaged students are made to decide what professional path they wish to pursue, Boglione opted for hospitality school in Florence. In his lilted, Tuscan-inflected American English,  he described himself as by no means an outstanding culinary student. In his words, his grades were not the best for sure, they were just average, but after his first kitchen stint one summer at age 14, while the majority of his non-culinary peers were lounging on the seaside,  it became clear to Boglione and his mentors, that this was work that he was clearly cut out for, and not just for his drive and perseverance. 

A knack, a genuine feeling for combining flavors, colors and textures, and what he calls “a light hand,”  were characteristics  that Boglione’s teachers and employers attributed to him early on in his career, and in fact as Boglione animatedly recounts–aspirating his “cees” and “tees” in true Florentine fashion–”my art teachers told my father that if I ever decided to give up cooking school, I should study art.” Boglione’s dishes in fact, reflect both artistic flair and an eye for composition. His plating is elegant and minimalistic, but in a way that is not austere. On the contrary, it asserts a touch of playfulness that exudes of buon gusto. And it bears stating here that when it comes to Boglione’s dishes, this buon gusto is by no means confined to the visual.  The aesthetic appeal is stalwartly backed by culinary skill and a bold instinct for combining seemingly dissonant flavors in a way that titillates without assaulting the palate.

This comes through with a good number of dishes that I have thus far sampled at White & Church, but perhaps most prominently with his pecorino cheese creme brulee with red onion marmelade. More on this and other dishes below.

The conclusion of Boglione’s culinary training in Florence took the talented and highly-driven 19 year old to work in kitchens in the UK, Japan, Egypt, Boston, Los Angeles, New York, Florence and back to New York, where Boglione’s cooking has stood out in trendy downtown restaurants such as Gradisca and Falai. During his tenure at Gradisca, Boglione hosted a lunch at the  James Beard House.

Asked about his culinary influences, Boglione lights up and gushes about his mentor and inspiration, Neapolitan chef Daniele Pescatore, with whom Boglione has worked in kitchens in Italy and the U.S. Pescatore, chef and owner of the Michelin-rated Cenacolo del Pescatore in Florence, is a champion of creative cuisine: a concept that moved away from regional cuisine in favor of revisiting traditional Italian and Mediterranean dishes with a contemporary twist. Boglione shared warm anecdotes about Pescatore’s support and encouragement when the going got tough in Boglione’s early days and Pescatore’s renegade tendencies. When restaurant owners in Italy refused to pay or made conditions miserable, Pescatore would flip off the owner and walk off the job with his whole brigade. A member of the brigade, Boglione recalls how the entire team would get picked up elsewhere in under one week’s time.  In addition to the person, Boglione is also very fond of Pescatore’s creative cuisine  concepts and expresses them most obviously at White & Church with his Carbonara done two ways, which is a decadently delicious dish composed of two versions of pasta carbonara: one traditional and the other an updated adaptation. Both versions are served side-by-side in matching square bowls on a platter. Both satisfying and respectful of the distinctive pecorino, egg, bacon character profile of the dish. However, the newer iteration of the dish, made with agnellotti, filled with egg yolk and topped with crisp pancetta crumbs delivered an element of intrigue and excitement especially because of the textures that were presented in this new version.

Elaborating on this philosophy of updating traditional Italian recipes and winning flavor combinations, Boglione added that it is not about altering recipes for the sake of something different, but about breathing new life into them and reintroducing them in a new, updated, and sometimes deconstructed guise. Examples of this are with a lasagna that he likes to prepare by substituting the traditional broad noodle with crepes and by serving prosciutto e melone, a standard Italian cold appetizer, warm.

BOGLIONE AND NEW YORK:

This past decade, the restlessly creative Boglione has been busy chefing and restaurateuring primarily in New York. His perspective on New York is similar to that of many seasoned New Yorkers. The city is addictive, it offers endless possibilities, creative freedom and the opportunity to do what you want, but over time the demanding work rhythms and intense competition can really push you to the limit. “To be able to stick your head out in a city of 12 million people, that’s really something.” Boglione loves the fact that New York is a place in which people regularly reinvent themselves, embark upon new career paths and can still enjoy being  taken seriously in their professions. Not so in Italy– at least not in the culinary world. Second or third career chefs struggle to be regarded in the same way as those who went through the rigors and rituals of apprenticeship during their youth. Boglione firmly rejects that mindset and argues that some of the finest food he enjoyed were by former accountants and lawyers. In New York, this freedom of opportunity and possibility to succeed is within reach, and it’s a very good thing. He  has also come to appreciate the intense rhythms of chefing in New York. The quick pace of New York dining as opposed to traditional five course,  four hour dinner, in traditional Italian fashion has become much more his speed. Asked what ingredients or items of Italian cuisine in New York, Boglione pauses and asserts that there is very little that is unavailable here. He’s genuinely impressed with the expanded array of Italian salumi and cheeses (He’s a big fan of Murray’s Cheese Shop) in New York over the past five to six years.  When pressed, he points to certain cuts of lard, but apart from that, he holds that Italian fare in New York is very well represented and remarkably up to date. For all of these reasons, Boglione asserts that there’s no other place he’d rather chef than New York. 

FUN PERSONAL DETAILS:

Asked about his favorite dish, Boglione coyly shared: “If I tell you, you’re not going to believe me, but my favorite dish in the world is peanut butter and jelly and marshmellow fluffs.” He’s a very good customer of Peanut Butter & Co. on Sullivan Street in Greenwich Village.

His dream famous personality guest: Alain Ducasse

Dishes that he enjoys preparing for his relatives: shelled scallops and offal

Italian cooking that he admires in New York: Mark Ladner and Mario Batali

Other ethnic cuisines he enjoys: Mexican, for sure, but not the hot foods and spices that burn in your mouth and kill all of the other flavors, and Chinese.

 ON WHITE & CHURCH:

Elevated lounge at White & Church, Tribeca, NYC

The interior of White & Church, Tribeca, NYC

Muted Fellini film loops projected onto its earth-tone sparse walls of this high-ceilinged restaurant-bar and lounge on a historically characteristic Tribeca corner. Ambient music ranging from fusion tango to obscure retro European hits conspires with a winning Lux-Rustic design replete with  saffron-and-burnt-sienna-hued draping, organic wood furnishings and stone-topped communal tables  to create a downtown chic- relaxing atmosphere that is heightened by Boglione’s cooking and award-winning mixologist Cristina Bini’s original edible cocktail creations. Bini’s extensive cocktail list includes classic and innovative concoctions, which include vermouth soaked stone martinis, available in white stone (from Ligurian beaches) and black stone (from Mongolia) iterations and a wide array of nutritional cocktails containing vegetables, herbs and forest findings including bark and a variety of insects, including worms, scorpions, crickets and giant ants. The protein content of insects was a definite point of inspiration for Bini’s brave mixes. Bini, also a Florentine native and Boglione’s better half, shares Boglione’s strong artistic bent– in addition to working as an artist in an earlier incarnation–and is constantly in the process of  experimenting with ingredients and creating new recipes, many of which complement Boglione’s menu. 

Cristina Bini setting up her mixology mise-en-scène

 

Cristina Bini & Matteo Boglione - White & Church's Power Couple

THE MENU AND BOGLIONE’S DISHES:

For a full-throttle satisfying palatal treat, head straight for the exquisite tasting menu. This ten course meal is a representative cross-section of Boglione’s menu, and priced at $50 (not including alcohol) it’s one of the best deals in town.

For smaller appetites and those who prefer a la carte, the menu is highly accessible and presented in a way that departs from an organization around course categories and favors food- and flavor- category types. Hence the menu categories read: “fried,” “cold,” “hot,” and “sweet.”

Fried polenta at White & Church

Artichoke croquettes with burrata, fresh basil and saffron sauce

Many a straightforward, appetite-whetting starter can be had in the fried section. The fried polenta and the zucchini blossoms are among my favorite. The polenta comes in lightly crusted bite-sized squares. A satisfying burst of flavor in this moist cake-like texture is beautifully carried by a rich and simple parmigiano fondue seasoning. The zucchini blossom comes whole, perfectly coated in a delicate light flour batter, filled with a light ricotta cream and sprinkled bold and briny with black salt and served with a side of hot marinara sauce. Boglione’s masterful technique and light-handed and minimalist flavoring heightens these simple foods to gourmet masterpieces.  The same holds true for his signature artichoke croquettes. Six light, non-greasy orbs of minced artichoke are artfully plated with decadent dabs of fresh and yielding burrata and carmellized olives on a bed of saffron sauce.

Pecorino cheese creme brulee and red onion marmelade at White & Church

Pecorino cheese creme brulee and red onion marmelade at White & Church

Grilled octopus and foie gras at White & Church

The cold section features a range of appetizer-like foods born of the sea and soil alike. There are cheeses, cured meats and tuna tartare and octopus dishes, and it is this section that features the show-stopping pecorino creme brulee. A balsamic reduction coated carmelized creme brulee crust conceals a bold and complex savory custard-like creme. These compelling flavors and textures merge and contrast with a spoonful red onion marmalade that crowns the dish. This is a genius dish for its inventive mode of delivering simple and commonly enjoyed ingredients in a fashion that not only defies the mundane but also  brings high flavor rewards.

The octopus and foie gras also forwards Boglione’s knack for delivering bold and sophisticated taste combinations. Butter-like tender grilled octopus is coupled with soft, earthy slices of Hudson Valley farm-raised foie gras and sprinkled with toothsome candy-like, carmellized black olives and a few ribbons of a basil pesto that add a quickening kick.  The dish is elegant and hearty at once.

Tucked in the hot section of the menu, the pastas are superb. I just wish there were more of them. However pasta lovers will revel in the pastas represented in Boglione’s menu. The  carbonara two ways mentioned above is a rustic delight. There is the fresh pasta ravioli filled with burrata cheese and coated in a decadent black truffle sauce, and more Southern-Italian inflected pasta dishes such as a sardine Sicilian style spaghetti and bavette with fresh tomatoes, arugula pesto and pecorino. The hot category also houses heartier entrees such as steak tagliata, skirt steak and a tuna filet served perfectly rare with fried artichokes and black olives.

Tuna filet, fried artichokes over eggplant cream at White & Church

Tuna filet with fried artichokes on eggplant sauce at White & Church, NYC

There is a respectable regional Italian wine list with which to pair Boglione’s dishes and a good choice of  $9-$12 wines by the glass, in addition to Bini’s classic and exotic cocktail list.

Chocolate Fondant at White & Church

Dessert options include a smart assortment of popular favorites including chocolate fondant, fresh berries and the legendary gelato from Little Italy’s own, “La Cremeria.”

 

CONCLUSION:

White & Church is a place to enjoy authentic, creative contemporary Italian cuisine in a casual and relaxing atmosphere at affordable prices. Its ambiance and trendy decor, plush lounge area, spacious bar and high ceilings evoke an ageless noir-era New York. Boglione’s cuisine, while stripped down from previous restaurant incarnations, shines beautifully along with all of the other winning elements of this Tribeca treasure.

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Artistry meets focused evolution – Upclose with Chef Matteo Boglione and White & Church

BY ELENA MANCINI

On Chef Matteo Boglione and White & Church
White & Church

Contemporary Italian cuisine
281 Church St. (White St.)
Tribeca
212-226-1607 / whiteandchurch.com

Open Monday – Sunday
Happy Hour: half-off cocktails, Monday- Friday, 5-7pm
Tasting Menu: Ten courses for $50
Menu items a’ la carte: range from $8-$18

 

Chef Matteo Boglione

Less than two months after the closing of Il Matto, a restaurant that garnered a highly coveted two-star rating from the New York Times’ Sam Sifton, Matteo Boglione and his team are back with White and Church. Leaner, wiser and with a more pronounced New York-centric focus, White & Church is poised to deliver more comfortable surroundings, an accessible scaled down menu compared to its predecessor  without dumbing-down or sacrificing experimental creativity.

Boglione became aware of his interest in preparing  food when he was eight. The Florentine native attributes the discovery of his culinary passion to the Saturday afternoons he spent baking brownies and chocolate chip cookies with his American mother in Florence. “Watching something raw enter the oven and turn into something else fascinated me.” At fourteen, after completing middle school and an age in which Italian teenaged students are made to decide what professional path they wish to pursue, Boglione opted for hospitality school in Florence. In his lilted, Tuscan-inflected American English,  he described himself as by no means an outstanding culinary student. In his words, his grades were not the best for sure, they were just average, but after his first kitchen stint one summer at age 14, while the majority of his non-culinary peers were lounging on the seaside,  it became clear to Boglione and his mentors, that this was work that he was clearly cut out for, and not just for his drive and perseverance. 

A knack, a genuine feeling for combining flavors, colors and textures, and what he calls “a light hand,”  were characteristics  that Boglione’s teachers and employers attributed to him early on in his career, and in fact as Boglione animatedly recounts–aspirating his “cees” and “tees” in true Florentine fashion–”my art teachers told my father that if I ever decided to give up cooking school, I should study art.” Boglione’s dishes in fact, reflect both artistic flair and an eye for composition. His plating is elegant and minimalistic, but in a way that is not austere. On the contrary, it asserts a touch of playfulness that exudes of buon gusto. And it bears stating here that when it comes to Boglione’s dishes, this buon gusto is by no means confined to the visual.  The aesthetic appeal is stalwartly backed by culinary skill and a bold instinct for combining seemingly dissonant flavors in a way that titillates without assaulting the palate.

This comes through with a good number of dishes that I have thus far sampled at White & Church, but perhaps most prominently with his pecorino cheese creme brulee with red onion marmelade. More on this and other dishes below.

The conclusion of Boglione’s culinary training in Florence took the talented and highly-driven 19 year old to work in kitchens in the UK, Japan, Egypt, Boston, Los Angeles, New York, Florence and back to New York, where Boglione’s cooking has stood out in trendy downtown restaurants such as Gradisca and Falai. During his tenure at Gradisca, Boglione hosted a lunch at the  James Beard House.

Asked about his culinary influences, Boglione lights up and gushes about his mentor and inspiration, Neapolitan chef Daniele Pescatore, with whom Boglione has worked in kitchens in Italy and the U.S. Pescatore, chef and owner of the Michelin-rated Cenacolo del Pescatore in Florence, is a champion of creative cuisine: a concept that moved away from regional cuisine in favor of revisiting traditional Italian and Mediterranean dishes with a contemporary twist. Boglione shared warm anecdotes about Pescatore’s support and encouragement when the going got tough in Boglione’s early days and Pescatore’s renegade tendencies. When restaurant owners in Italy refused to pay or made conditions miserable, Pescatore would flip off the owner and walk off the job with his whole brigade. A member of the brigade, Boglione recalls how the entire team would get picked up elsewhere in under one week’s time.  In addition to the person, Boglione is also very fond of Pescatore’s creative cuisine  concepts and expresses them most obviously at White & Church with his Carbonara done two ways, which is a decadently delicious dish composed of two versions of pasta carbonara: one traditional and the other an updated adaptation. Both versions are served side-by-side in matching square bowls on a platter. Both satisfying and respectful of the distinctive pecorino, egg, bacon character profile of the dish. However, the newer iteration of the dish, made with agnellotti, filled with egg yolk and topped with crisp pancetta crumbs delivered an element of intrigue and excitement especially because of the textures that were presented in this new version.

Elaborating on this philosophy of updating traditional Italian recipes and winning flavor combinations, Boglione added that it is not about altering recipes for the sake of something different, but about breathing new life into them and reintroducing them in a new, updated, and sometimes deconstructed guise. Examples of this are with a lasagna that he likes to prepare by substituting the traditional broad noodle with crepes and by serving prosciutto e melone, a standard Italian cold appetizer, warm.

BOGLIONE AND NEW YORK:

This past decade, the restlessly creative Boglione has been busy chefing and restaurateuring primarily in New York. His perspective on New York is similar to that of many seasoned New Yorkers. The city is addictive, it offers endless possibilities, creative freedom and the opportunity to do what you want, but over time the demanding work rhythms and intense competition can really push you to the limit. “To be able to stick your head out in a city of 12 million people, that’s really something.” Boglione loves the fact that New York is a place in which people regularly reinvent themselves, embark upon new career paths and can still enjoy being  taken seriously in their professions. Not so in Italy– at least not in the culinary world. Second or third career chefs struggle to be regarded in the same way as those who went through the rigors and rituals of apprenticeship during their youth. Boglione firmly rejects that mindset and argues that some of the finest food he enjoyed were by former accountants and lawyers. In New York, this freedom of opportunity and possibility to succeed is within reach, and it’s a very good thing. He  has also come to appreciate the intense rhythms of chefing in New York. The quick pace of New York dining as opposed to traditional five course,  four hour dinner, in traditional Italian fashion has become much more his speed. Asked what ingredients or items of Italian cuisine in New York, Boglione pauses and asserts that there is very little that is unavailable here. He’s genuinely impressed with the expanded array of Italian salumi and cheeses (He’s a big fan of Murray’s Cheese Shop) in New York over the past five to six years.  When pressed, he points to certain cuts of lard, but apart from that, he holds that Italian fare in New York is very well represented and remarkably up to date. For all of these reasons, Boglione asserts that there’s no other place he’d rather chef than New York. 

FUN PERSONAL DETAILS:

Asked about his favorite dish, Boglione coyly shared: “If I tell you, you’re not going to believe me, but my favorite dish in the world is peanut butter and jelly and marshmellow fluffs.” He’s a very good customer of Peanut Butter & Co. on Sullivan Street in Greenwich Village.

His dream famous personality guest: Alain Ducasse

Dishes that he enjoys preparing for his relatives: shelled scallops and offal

Italian cooking that he admires in New York: Mark Ladner and Mario Batali

Other ethnic cuisines he enjoys: Mexican, for sure, but not the hot foods and spices that burn in your mouth and kill all of the other flavors, and Chinese.

 ON WHITE & CHURCH:

Elevated lounge at White & Church, Tribeca, NYC

The interior of White & Church, Tribeca, NYC

Muted Fellini film loops projected onto its earth-tone sparse walls of this high-ceilinged restaurant-bar and lounge on a historically characteristic Tribeca corner. Ambient music ranging from fusion tango to obscure retro European hits conspires with a winning Lux-Rustic design replete with  saffron-and-burnt-sienna-hued draping, organic wood furnishings and stone-topped communal tables  to create a downtown chic- relaxing atmosphere that is heightened by Boglione’s cooking and award-winning mixologist Cristina Bini’s original edible cocktail creations. Bini’s extensive cocktail list includes classic and innovative concoctions, which include vermouth soaked stone martinis, available in white stone (from Ligurian beaches) and black stone (from Mongolia) iterations and a wide array of nutritional cocktails containing vegetables, herbs and forest findings including bark and a variety of insects, including worms, scorpions, crickets and giant ants. The protein content of insects was a definite point of inspiration for Bini’s brave mixes. Bini, also a Florentine native and Boglione’s better half, shares Boglione’s strong artistic bent– in addition to working as an artist in an earlier incarnation–and is constantly in the process of  experimenting with ingredients and creating new recipes, many of which complement Boglione’s menu. 

Cristina Bini setting up her mixology mise-en-scène

 

Cristina Bini & Matteo Boglione - White & Church's Power Couple

THE MENU AND BOGLIONE’S DISHES:

For a full-throttle satisfying palatal treat, head straight for the exquisite tasting menu. This ten course meal is a representative cross-section of Boglione’s menu, and priced at $50 (not including alcohol) it’s one of the best deals in town.

For smaller appetites and those who prefer a la carte, the menu is highly accessible and presented in a way that departs from an organization around course categories and favors food- and flavor- category types. Hence the menu categories read: “fried,” “cold,” “hot,” and “sweet.”

Fried polenta at White & Church

Artichoke croquettes with burrata, fresh basil and saffron sauce

Many a straightforward, appetite-whetting starter can be had in the fried section. The fried polenta and the zucchini blossoms are among my favorite. The polenta comes in lightly crusted bite-sized squares. A satisfying burst of flavor in this moist cake-like texture is beautifully carried by a rich and simple parmigiano fondue seasoning. The zucchini blossom comes whole, perfectly coated in a delicate light flour batter, filled with a light ricotta cream and sprinkled bold and briny with black salt and served with a side of hot marinara sauce. Boglione’s masterful technique and light-handed and minimalist flavoring heightens these simple foods to gourmet masterpieces.  The same holds true for his signature artichoke croquettes. Six light, non-greasy orbs of minced artichoke are artfully plated with decadent dabs of fresh and yielding burrata and carmellized olives on a bed of saffron sauce.

Pecorino cheese creme brulee and red onion marmelade at White & Church

Pecorino cheese creme brulee and red onion marmelade at White & Church

Grilled octopus and foie gras at White & Church

The cold section features a range of appetizer-like foods born of the sea and soil alike. There are cheeses, cured meats and tuna tartare and octopus dishes, and it is this section that features the show-stopping pecorino creme brulee. A balsamic reduction coated carmelized creme brulee crust conceals a bold and complex savory custard-like creme. These compelling flavors and textures merge and contrast with a spoonful red onion marmalade that crowns the dish. This is a genius dish for its inventive mode of delivering simple and commonly enjoyed ingredients in a fashion that not only defies the mundane but also  brings high flavor rewards.

The octopus and foie gras also forwards Boglione’s knack for delivering bold and sophisticated taste combinations. Butter-like tender grilled octopus is coupled with soft, earthy slices of Hudson Valley farm-raised foie gras and sprinkled with toothsome candy-like, carmellized black olives and a few ribbons of a basil pesto that add a quickening kick.  The dish is elegant and hearty at once.

Tucked in the hot section of the menu, the pastas are superb. I just wish there were more of them. However pasta lovers will revel in the pastas represented in Boglione’s menu. The  carbonara two ways mentioned above is a rustic delight. There is the fresh pasta ravioli filled with burrata cheese and coated in a decadent black truffle sauce, and more Southern-Italian inflected pasta dishes such as a sardine Sicilian style spaghetti and bavette with fresh tomatoes, arugula pesto and pecorino. The hot category also houses heartier entrees such as steak tagliata, skirt steak and a tuna filet served perfectly rare with fried artichokes and black olives.

Tuna filet, fried artichokes over eggplant cream at White & Church

Tuna filet with fried artichokes on eggplant sauce at White & Church, NYC

There is a respectable regional Italian wine list with which to pair Boglione’s dishes and a good choice of  $9-$12 wines by the glass, in addition to Bini’s classic and exotic cocktail list.

Chocolate Fondant at White & Church

Dessert options include a smart assortment of popular favorites including chocolate fondant, fresh berries and the legendary gelato from Little Italy’s own, “La Cremeria.”

 

CONCLUSION:

White & Church is a place to enjoy authentic, creative contemporary Italian cuisine in a casual and relaxing atmosphere at affordable prices. Its ambiance and trendy decor, plush lounge area, spacious bar and high ceilings evoke an ageless noir-era New York. Boglione’s cuisine, while stripped down from previous restaurant incarnations, shines beautifully along with all of the other winning elements of this Tribeca treasure.

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Soulful Italian for the Adventuresome and Non – Review of Ornella Trattoria

BY ELENA MANCINI

2917 23rd Avenue
Astoria, Queens
(718) 777-9477 / ornellatrattoria.com/

You’d never guess it from its humble exterior on a nondescript, sundry-shop-populated block of Astoria, Queens, but this warm and cheerful, family-run trattoria reserves genuine gastronomic treats for both the lover of traditional Italian comfort dishes and the adventurous foodie. Thanks to the recommendation of a friend and fellow blogger, I’ve had the pleasure of experiencing both sides of Ornella’s.

The menu bears the exciting distinction of featuring dishes from the Cilento region of Salerno, Italy–a region that does not get much air time on menus outside of Italy– from where Executive Chef and Owner Giuseppe Viterale and his wife and restaurant’s namesake, Ornella, hail. Thus, dishes like imbustata, a rich oven-baked dished consisting of envelope shaped pasta stuffed with roasted veal, chicken, mushrooms and mozzarella and homemade pastas made with buckwheat flour, chickpea flour and chestnut flour. These are simply wonderful, and Ornella’s is particularly adept at making these since Giuseppe’s father ran a flour mill in Rofrano, a town in the Salerno province of, Italy.  That said, Italian-American classics, such as Chicken Scarpariello and Veal Parmigiana  are also faithfully represented on the menu. Despite these seemingly clear culinary coordinates, many of the dishes served at Ornella’s can be hard to peg, regionally that is. This is because Giuseppe Viterale is a restless epicurean. He is continuously experimenting with ingredients and techniques, recombining flavors and even occasionally breaking some of the cardinal rules of Italian cooking. From speaking with him, I got the sense that he takes great pleasure in playing maverick in the kitchen, particularly when the results are gratifying.

Rigatoni alla Carbonara with Little Neck Clams and Blue Mussels

One such instance is with his rendition of pasta carbonara pictured above. Here, Viterale adds Little Neck clams and Blue Mussels to a creamy and deliciously savory, pecorino-laced Carbornara sauce, breaking the Italian culinary taboo of combining fish with cheese. While I admire bold combinations, I had my reservations about this dish. I was happily surprised at how well the flavors harmonized. The clams and mussels lent a subtle briny fresh dimension to the earthy Carbonara. I doubt the dish would have worked with a heavier, oiler seafood , but with clams and mussels, it worked beautifully.

On with a tour of more atypical Italian dishes. Since I was in the company of some daring diners, Viterale had us sample some authentic dishes and delicacies from his hometown– happily, a number of these dishes could be worthy contenders for an episode of Andrew Zimmern’s Bizarre Foods on the Travel Channel.

Sheep Salad at Ornella Trattoria

The meal started with something that I’d never even heard of before: sheep salad. It consisted of cool strips of marinated lamb, a side of arugula salad dressed with balsamic vinaigrette, and mozzarella burrata. I enjoyed both the aesthetic and flavor composition of this dish. The bold gaminess of the lamb combined with the bitterness of the arugula and the light, mild creaminess of the burrata made for an interesting and texture-rich assemble-your-own-bite experience.

Fettucine di Castagne - Image from Ornella Trattoria

The next couple of courses were pasta dishes. First came the Fettucine di Castagne, or fettucine made with chestnut flour. These handmade noodles had a tender, velvet-like texture and a sweet, nutty flavor that held up well against the other flavors with which it was combined.  Topped with a light sauce made with olive oil, sauteed spinach, tomatoes and shrimp, the dish showcases an elegant balance of flavors and is very tasty as well.

Pasta al Latte

The second pasta dish was Pasta al Latte, a dish that is traditionally eaten on the Catholic holiday of the Virgin Mary’s Assumption in Viterano’s home town of Rofrano. The method of preparing this dish is astoundingly simple and extremely unorthox for veteran pasta cookers: it is made of fresh pappardelle, or in any case a wide pasta noodle, boiled in milk instead of water. The milk then coagulates and forms a thick flavorful cream around the noodles. The pasta is then seasoned with grated pecorino and black pepper. It tasted delicious and almost decadent in its simplicity. While I didn’t get the story as to why it is that precisely this dish  gets eaten on this religious holiday. I speculate that perhaps the milk, one of the base and central ingredients of the dish, stands for purity. But who knows, that’s just my guess. In any case, when I shared the story behind this dish with my mother, a born-and-bred Neapolitan, to see if she had any similar culinary reference points, since Naples is part of the same region as Salerno, she told me that she’d never heard of it prepared for the Assumption in her hometown, but she recalled from her youth that pasta al latte was a dish especially prepared for young children–without the black pepper, of course

Sweetbreads in Truffle

The meat course was composed of lamb sweetbreads. It was presented with a generous side of homemade mashed potatoes and spinach sauteed in garlic and olive oil. I am generally not very fond of offal, but I enjoyed Ornella’s tender and juicy rendition of it and the truffle oil sauce mitigated any hint of gaminess.

Sanguinaccio

Sanguinaccio, Italian Blood Pudding

Dessert was a real doozy. Viterale served us his last batch of sanguinaccio, Italian for pig blood pudding. While I’d never tried this dessert before, I’d been acquainted with it through my some of my Neapolitan relatives’ accounts, usually with  a dollop of bravado about how they eat lamb brain or vixen and to highlight the culinary wimpiness of  the subsequent, US-born generation that has either never been exposed or well-disposed toward eating such rustic delicacies. I’ll admit, I’d always been squeamish, yet curious about eating sanguinaccio, so after sampling so many enjoyable strange foods at Ornella’s, I leapt at the opportunity to sample it. I also appreciate the fact that this dessert adopts the principal of allowing no part of the slaughtered pig to go to waste. The texture was very creamy, and the dark chocolate, citrusy flavor was strong and not too sweet, but very dense. I could not taste the blood, but somehow I felt animal flavor notes in my nose. Perhaps it was psychological suggestion, but I must confess that it did interfere with my ability to enjoy it fully. I’d really be curious to see if I’d have had the same response, had I not known that it was sanguinaccio. All I can say for now is that conscious sanguinaccio consumption is not for everyone, but boy did I enjoy this riveting initiation into the unique culinary traditions of Salerno.

Based on my experience of the inspired dishes sampled at Ornella’s, the warm and hospitable ambiance, the prices–salads and appetizers are all under $10, pasta courses under $20 and entree courses in the $20 range– and commitment to fresh, quality ingredients, I’d heartily recommend Ornella’s for a laid back dinner among friends or an enjoyable family dinner.

 

 

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Where the only way to say goodbye is arrivederci: Review of Pizza Roma

ELENA MANCINI

259 Bleecker Street (btwn. Cornelia St. & Morton St.)
West Village
212-924-1970 / pizza-roma.it

Pizza Roma - paying homage to its previous occupant, historic Zito's Bakery

New York City has been riding a gourmet pizza wave for a while now.  The popularity stock on artisinal pizza peaked  just as the housing bubble popped and while the housing market continues to straddle signs of hopefulness and teetering on the edge of kaboom, the pizza moment is perpetuated with vigor and in colorful and creative new guises.

Until recently, the main purveyors of artisinal pizza in New York have been pizzaioli, certified by Neapolitan pizza guilds. Keste‘, Motorino, Pizza Totale an pizza fresca are but a handful of places that boast this honorable gastronomic distinction and a slamming Pizza Margherita D.O.C. to boot. Until now, the only competition vying for the spotlight along with the Neapolitans had been coming from a new crop of plucky New York pizzaioli, showcasing New York style pizza as evidenced by popular spots like Paulie Gees and Torrisi’s. It’s a case of apples and pomegranates, but the latter are worthy contenders, just this same.

Pizza Margherita

Pizza Margherita

Pizza Roma’s authentic Roman-style “pizza al taglio” (pizza that is cut on request) brings an exciting alternative to the pizzascape. By the look of things alone, pizza al taglio resembles a home-style grandma square. Standard individual-sized squares are cut upon request with a sure-handed sliding motion of a pair of shears. At Pizza Roma, pizza is served at the counter, for those on the go, or in its charming and rustic dining room  tastefully adorned with paintings of brightly-hued Fiats by Pop artist, Monica Casali. When weather permits, their newly opened outdoor garden will also provide a pleasing setting for a relaxing meal. While this place offers a hip, laid-back, authentically Roman experience, replete with young, hip, fresh-off-the-boat sounding servers and a stand-up wine list. These pleasant perks aside accentuate the real attraction here which is  a savory, pizza made from high-quality ingredients at moderate-for-Manhattan-pricing  (starting at $13 for a medium-size). Individual dinner pizzas come in two sizes, medium or large-sized rectangles, served on wooden cutting boards. But it isn’t the shape or the look of the pizza, that makes it  unlike anything else that can be currently had in New York. It’s how it’s the science of how it’s made that makes the difference. Pizza Roma’s dough has a 96 hour fermentation period, that’s right: 4 day-aged dough. The result is that it makes for a much lighter, less yeastier-tasting dough and a strikingly more digestible slice of pizza. I can testify to this when during a recent weekend evening, after waiting 30 minutes for a table, I had a 10pm pizza Margherita followed by a walk and no trouble getting to sleep, which is typically an issue for me after dining late, especially if it’s pizza. The Margherita had the perfect texture and a good tomato to mozzarella ratio. The sauce was sweet, tasted natural and had a pleasing, mild tang. The mozzarella was tasty, mildly fragrant and properly melted without being overly runny. The crust was light and crisp, with moderate chewiness and was subtle blisters and chars which gave it an enjoyable smoky flavor.

 

Pizza Tartufina - Pizza with truffles and cheese

Pizza Tartufina - Pizza with truffles and cheese

My dining companion ordered the Pizza Tartufina. This was topped with large slices of glistening truffles and meaty oyster mushrooms. A feast of flavors on a well-executed crust!

Crostata alle Fragole - Strawberry Tart

Crostata di Fragole - Strawberry Tart

If the stomach can withstand it, order a slice of the crostata ($5) for dessert.  This light and crusty, fruit-preserve-topped tart  will further boost the experience of Italian home-style pleasures.

For appetizer, go for the charcuterie or a caprese. Many of the salads are made with iceberg lettuce. For smaller appetites, skip the foccaccia crisps and go straight for a rectangle of stuffed pizza. The crimes of double-carbing aside, the potato stuffed pizza is a delectable expenditure of calories.


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